Anthony Barcelo Digital Compositor


Employment Highlights:

 

Feb - March 2010

Prime Focus VFX - Los Angeles, Hollywood, CA
Feature Stereo Compositing: Fusion+ Prime Focus Proprietary Software
Position: Fusion Compositor
Tasks included: Stereo Conversion

“Clash of the Titans” (60+ shots)

Jan - Feb 2010

Animal Logic - Los Angeles, Santa Monica, CA
Commercial Compositing: NUKE
Position: Nuke Compositor
Tasks included: Live Action, Green/Blue Screen, Matte Generation, Film Grain Emulation, Actor Repositioning and Reconstruction, Tracking, Retiming, Warping, Roto

“TRUtv Punxsutawney Polamalu” (Super Bowl Commercial) (4+ shots)

Dec 2009 - Jan 2010

Digital Domain - Los Angeles, Venice CA
Commercial Compositing: NUKE
Position: Nuke Compositor
Tasks included: Multi-Channel CG compositing

Oct 2009 - Dec 2009

yU+co, Hollywood CA
Commercial Compositing: NUKE, After Effects, Photoshop
Position: Project 2D Lead
Tasks included: Workflow Optimization and trouble shooting, coordinating artists tasks, approving preliminary work, mentoring junior artists, 3D Multi-Pass, Photo-Real CG

Sep 2009 - October 2009

Animal Logic - Los Angeles, Santa Monica CA
Compositing: NUKE, After Effects, Photoshop
Position: Nuke / After Effects Lighter / Compositor

Tasks included: 2D Animation, Lighting and Comp

Aug 2009 – Sept. 2009

yU+co, Hollywood CA
Compositing: NUKE, Photoshop
Position: Senior Nuke Compositor

Tasks included: 2D / 3D Multi-Pass, Photo-Real CG, Blue Screen, Plate Work, Roto, Paint
Projects to be detailed later

May 2009 - Current

Engine Room VFX, Hollywood CA
Feature Film Compositing: NUKE, After Effects, Mocha, PF Track, Photoshop
Position: Sequence Lead / Senior Digital Compositor
Tasks included: 2D/Multi-Pass/3D Compositing, Photo-Real CG integration, Green Screen, Effects, Color Grading, Tracking, Develop Looks, Mentor other Artists, Roto, Paint
“Wizards of Waverly Place: The Movie” (Finaled 35 shots/Temped additional 5 shots)

Oct 2008 - Apr 2009

    yU+co, Hollywood CA
    VFX Supervisor: Alan Boucek / VFX Producer: Carrey Keeney
    Feature Film Compositing: NUKE
    Position: Senior Digital Compositor / Sequence Lead
    Tasks included: 2D/Multi-Pass/3D Compositing, CG integration, Blue Screen, Plate Work, Tracking, Develop Looks, Mentor other Artists, Roto, Paint

    “GAME” (Finaled 33 shots / Temped additional 35 shots)

    “The Ugly Truth” (Temped 1 shot)

Sep - Oct 2008

Pixel Magic, Toluca Lake CA
VFX Supervisor: Ray McIntyre Jr / VFX Producer: George Macri
Feature Film Compositing: After Effects / Shake
Position: Digital Compositor
Tasks included: 2D/Multi-Pass Compositing, CG integration, Green Screen, Plate Work, Tracking, Develop Looks, Roto, Paint

“12 Rounds” (Finaled 3 shots)

“Marley and Me” (Temped 5 shots)

“Punisher: Warzone” (Finaled 11 shots)

Jan - Oct 2008

Brain Zoo Studios, Van Nuys CA
VFX Supervisor: Andre Bustanoby / VFX Producer: Maija Beeton
Digital Compositing: Nuke / After Effects / Fusion
Position: Compositing Lead / Supervisor
Tasks included:

• Responsible for internal compositing pipeline, communication and efficiency

• Design, develop and produce large / small-scale digital composites serving best approach to solve compositing challenges

• Working with Supervisors and TDs to develop and deliver final look for various HD projects that far exceeds client expectations.

• Provide artistic and creative leadership to a dynamic team of artists / Supervising and Mentoring 6-8 Jr / Mid level Compositors

• 2D/3D Multi-Pass Compositing, CG integration, Particles in Linear, Log RGB, SRGB, rec709 color space

“Destroy All Humans 3” (VG Commercial) (Finaled 5 shots)

“Prince Caspian” (VG Commercial) (Finaled 1 shot)

“LOTR Online: Mines of Moria” (Cinematic) (Finaled 30 shots)

“Rogue Warrior” (Cinematic) (Finaled 35 shots)

“Tiberium” (Cinematic) (Temped 12 shots)

“NBA 2008” (Cinematic) (Improved 10 shots)

Personal Exploration (Feature Level) (Finaled 125 shots) (Temped 200 shots)

Sep - Dec 2007

    Entity FX, Santa Monica CA
    VFX Producers: Trent Smith and Rod Park
    Episodic TV Compositing: After Effects
    Position: Senior Digital Compositor
    Tasks included:
    Responsible for delivering high quality shots within tight Episodic TV schedules

    2D/3D Multi-Pass Compositing, CG integration, Motion Graphics via AE CS3 & Nuke 4.7; Linear, Log RGB, SRGB color space

    “Pushing Daisies” (ABC) (Finaled 9 shots)

    “Sports Science” (FOX) (Emmy win) (Finaled 8 shots)

    “Crime 360” (FOX) (Finaled 3 shots)

    “Nissan Year End 2007” (National) (Finaled 15 Elements for Final output )

Feb - June 2006

    Stargate Digital, South Pasadena CA
    VFX Supervisor: Mark Kolpack / VFX Producer: Scott Russell
    Episodic TV Compositing: After Effects
    Position: Digital Compositor
    Tasks included: Responsible for delivering high quality shots within tight Episodic TV schedules

    2D Digital Compositing: Complex Key Extraction, de-Grain/re-Grain, Boujou Tracking, Roto, fire and smoke elements, rig removal, procedural operations, Monitor burns

    “Heist” (NBC) (Finaled 12 shots)

    “Las Vegas” (NBC) (Finaled 7 shots) (Prepped 3 shots)

    “Raines” (NBC) (Prepped 1 shot)

    “Crossing Jordan” (NBC) (Finaled 4 shots) (Prepped 2 shots)

    “Close To Home” (CBS) (Prepped 3 shots)

    “Fatal Contact” (ABC) (Finaled 1 shot)

    “Danny Comden Project” (ABC) (Prepped 3 shots)

    “Nightmares and Dreamscapes: Battleground” (TNT) (Emmy & VES win) (Prepped 5 shots)

Sep 2004 - June 2005

La Posteria, Hollywood CA
Commercial Compositing / 2D Design: After Effects, Photoshop
Position: Digital Compositor / Designer

"Brother Bear 2" 2005 (Regional Commercial)

"Haunted Mansion Holiday" 2004 (National Commercial)

March 2001 - Sept 2004

Bluth Enterprises, Burbank CA
Commercial / Industrial Production / Post
Position: Associate Producer / Graphics Supervisor

Worked my way up from design intern to 2D Paint artist to Roto Artist to Jr Editor to Video Camera Operator to Digital Cinematographer to Jr Compositor to Compositor to Graphics Supervisor to Associate Producer

"Honda Pilot West Coast Launch" 2002 (Regional Commercial)

"Eminem A.K.A." (2004) 200+ shots (Indie Feature Documentary)

"History of Pio Pico" (2003) 100+ shots (Industrial Documentary)


Other Projects Include:

    Film

    "Chasing 3000" (2008) 20+ shots (Indie Feature)

    "Big Screen Games" (2007) 200+ shots (Theatrical Game Show)

    "Imagination" (2006) 3 shots (Indie Feature)

    "Collier & Co." (2006) 12 shots (Indie Feature)

    "Dark Mirror" (2006) 4 shots (Indie Feature)

    "Protecting the King" (2006) 6 shots (Indie Feature)

    "The Box" (2006) 10 shots (Indie Short)

    "Perceptions" (2005) 20+ shots (Indie Feature)

    "Sandcastles" (2004) 6 shots (Indie Feature)

    Commercials / Trailers (VFX & Graphics)

    “Hot ‘N Ready Pepperoni” 2009 (National Commercial)

    "Bratz Winter Wonderland" 2007 (National Commercial)

    "Fasio Digicolor" 2007 (Asian regional Commercial)

    "Starbury Clothing" 2006 (Regional Commercial)

    "Deficit" 2004 (Regional Commercial)

    "Spinmeister" 2004 (Regional Commercial)

    "Cost of War" 2004 (Regional Commercial)


    BD / DVD / UMD (VFX & Graphics)

    "Felon"

    "Ghostrider" Sony

    "Blood and Chocolate" Sony

    "Paprika" Sony


Software Skills

    Senior to Advanced: After Effects, Nuke, Photoshop, Final Cut

    Junior to Mid-Level: Shake , Combustion, Boujou, Mocha, Motor, Motion, Illustrator


EDUCATION

Personal Nuke Mentors:
Nathalie Bergeron (Original Shake Team / Nuke Team / Foundry Customer Relations Director)

Sean Devereaux (VFX Supervisor, Senior Compositor, FXPHD instructor)

FXPhD (Ongoing):
Nuke 4.8 & 5 / Shake / After Effects / Mocha / Synth Eyes


Pixel Corps:
After Effects / Mocha / Motor / Boujou

Gnomon Workshop (Ongoing):
Nuke 4.7 / Shake / Boujou

LACC School of Cinema, Los Angeles CA (09/2003 - 09/2004):
Vocational Education in the Art and Business of Filmmaking

Mt Sierra College
, Monrovia CA (10/1999 - 04/2003):
Bachelor of Science - Valedictorian / Suma Cum Laude
Multimedia Design Technology

Please Contact Bob Coleman
13323 Washington Boulevard, Suite 304, Los Angeles, CA 90066
310-788-3918 M. 310-293-8718 F. 310-788-3415 http://www.d-a-a.com