Aurore de Blois Senior Compositor


BIO

Aurore's earliest memory is watching man's first step on the Moon - on live television, which had a profound effect upon her interests. Along with the classic films of George Pal, Ray Harryhausen and original series Star Trek, Aurore was hooked on science fiction, special effects and space exploration at a very young age, thus melding with her interests in classic film, Astronomy and Art.

Being from a small town in rural Canada, her career aspirations were not immediately seen as being practical or realistic. Eventually, Aurore relocated to Vancouver BC, where she continued her education in Fine Art and Photography at the esteemed Emily Carr College of Art.

While living in Vancouver, she made friends working in film who encouraged her to pursue her first love of visual effects. After at first taking a class in character animation, she was self-taught in both Digital Compositing and Matchmoving and worked in the local animation and VFX scene in Vancouver.

In 2003, through her lifelong love of Star Trek, prominent effects artist Doug Drexler discovered Aurore. In 2005, she became a founding member of the newly formed Battlestar Galactica in-house VFX Dept (BSGVFX), led by award winning VFX Supervisor Gary Hutzel, where she spent the next 3-1/2 years as Senior Compositor, leading a team of three compositors and training two in matchmoving.

During her time with the BSGVFX team, Aurore received her first Emmy Award in 2008 for outstanding special visual effects for a series, the Season Four Episode 'He That Believeth In Me'. She contributed to Battlestar Galactica's Season Two Peabody Award win in 2005, for which she received a Peabody Certificate. Aurore also contributed to Battlestar Galactica’s four Visual Effects Society (VES) Award wins as well as its two additional Emmy Award wins.

Recruited by Rhythm and Hues, Aurore relocated to Los Angeles in 2009. She joined Digital Artists' Agency, Inc (DAA) shortly afterwards. Joining the team at Frantic Films/Prime Focus, she contributed both matchmoving and digital compositing on Avatar.

Continuing in Stereoscopic work at Prime Focus, her credits in 3D conversion include Clash of the Titans and numerous 3D conversion proof-of-concept tests, including Star Trek and Star Wars.

Recruited by MPC in 2010, she now lives and works in London, UK.

Aurore recently completed work on the stereoscopic feature Pirates Of The Caribbean- On Stranger Tides, Harry Potter and the Deathly Hallows Part II and is currently working on John Carter of Mars, which she is particularly excited about, having read the Edgar Rice Burroughs novel series

In January 2009, Aurore was featured in an interview in Digital Production Magazine. Her work has been published in the esteemed Star Trek: Ships of the Line Calendars and HDRI Magazine.


 

Please Contact Bob Coleman
13323 Washington Boulevard, Suite 304, Los Angeles, CA 90066
310-788-3918 M. 310-293-8718 F. 310-788-3415 http://www.d-a-a.com