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William Arance CG Modeler / Lightwave
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Experience 2002 “Ghosts of the Abyss” Creative Logic Universe, LLC. Modeling and texture mapping for Titanic documentary in IMAX 3D format. “Scooby Do” HimAnI Productions. Built, texture mapped and animated various fictitious theme park rides for feature film. Also built, mapped and animated a Boeing 737 for airliner sequence. 2001 “Hart’s War” Universal / Pixel Magic (Freelance). Built and texture mapped a P-51 Mustang and BF-109G for feature film. “Panic” NuImage (Freelance). Built, texture mapped and animated an Airbus A320 for a production in Bulgaria. Project was accomplished from beginning to end over the Internet with foreign counterpart. “Boeing” Station X (Freelance). Built and texture mapped Boeing‚s commercial fleet for television add campaign. Six aircraft total. 2000 “Dan Dare” Netter Digital. Shanghai, China. Three months as an instructor / supervisor with ten other team members teaching digital television production to Chinese film students and produced an episode for distribution. Specialized in teaching modeling, texture mapping, production and teamwork. “Max Steel” VanHook Studios. Chief model maker / Supervisor 1999 "Starship Troopers Chronicles" Sony / Flat Earth Productions Model Maker, Texture Mapping, and Lighting. Credited "My Favorite Martian" Walt Disney Pictures / Available Light, Ltd Chief model maker. Animation. Credited 1997 "The Sixth Man" Walt Disney Pictures / Available Light, Ltd Chief model maker. Credited "Top Secret" Catalyst Entertainment. Model builder for multi-screened theme park ride in Beijing, China 1996 "Escape From L.A." Paramount / Available Light, Ltd Animation supervisor for muzzle flash sequences. Credited "The Arrival" Orion / Available Light, Ltd. Chief model maker. Animation. Credited "Executive Decision" Warner Brothers / Available Light, Ltd Model maker, tracking and animation for heads up display graphic 1996 "Happy Gilmore" Universal / Available Light, Ltd Golf ball animator. Ya that's right, golf balls! Credited "Bordello of Blood" Universal / Available Light, Ltd Digital painting, airbrush, animation. Credited 1995 "Mortal Kombat" New Line / Available Light, Ltd Digital painting, airbrush, animation. Credited "Demon Knight" Universal / Available Light, Ltd Digital painting, airbrush, animation. Credited 1994 "Stargate" TriStar / Available Light, Ltd Animator, digital airbrush. Credited "The Shadow" Universal / RGA LA Digital painting, airbrush, animation. Credited 1993 "Demolition Man" Warner Brothers / RGA LA Digital painting, Visual Effects Airbrush, animation. Credited "Wilder Napalm" Tri-Star / Walt Disney Pictures Facility manager for BVVE. Visual Effects Airbrush Assistant to FX producer. Credited "Dave" Warner Brothers / Walt Disney Pictures Facility manager for BVVE. Assistant to the FX producer. Credited "Hocus Pocus" Walt Disney Pictures Facility manager for BVVE. Digital painter. Credited 1992 "Honey I Blew Up the Kid" Walt Disney Pictures Facility manager for BVVE. Assistant to the FX producer. Credited 1991 "Wild Hearts Can't be Broken" Walt Disney Pictures Facility manager for BVVE. Assistant to the FX producer. Credited 1990 "Ghost" Paramount / Available Light, Ltd FX actor (Dark Spirits) Visual Effects Airbrush. Credited 1989 "The Little Mermaid" Walt Disney Pictures Airbrush background painter. Credited 1988 "Who Framed Roger Rabbit" Touchstone Pictures / Amblin Ent. Airbrush effects "Willow" MGM / Available Light, Ltd. Sound reader, Visual Effects Airbrush. Credited 1987 "Superman 4" Cannon Pictures Visual Effects Airbrush. Credited 1986 "Captain EO" Walt Disney Theme Parks Visual Effects Airbrush in 3-D (The funny glasses stuff) Model crew for trench sequence 1985 "My Science Project" Walt Disney Pictures Visual Effects Airbrush. Credited 1983 "Something Wicked This Way Comes" Walt Disney Pictures Visual Effects Airbrush. Credited 1982 "Tron" Walt Disney Pictures. Visual Effects Airbrush. Credited 1981 "Dragonslayer" Walt Disney Pic / Paramount / Industrial Light and Magic Storyboard animator. Education 1978-80 California Institute of the Arts, Walt Disney Character Animation Program Please Contact Bob Coleman |